Theater Professor Kelly Morgan teaches his course in Playwrighting in Weston Auditorium. This course will teach students the craft and art of Playwrighting for the Stage. The aim of the course is to foster and augment the motivated student to engage in the writing of new theater works in the professional arena.  

 Fitchburg State University Communications Media faculty held a Meet & Greet with students in the Highland Plaza in front of the Conlon Building. This gave students in and out of the major the opportunity to engage, and have any questions answered.

Earlier this month, the Communications Media Department  in association with Rollstone Congregational Church, Work Inc., and the Making Opportunity Count (MOC) Youth Innovation Center  presented "They, Them, Those." The play is a thought-provoking exhibit, asking the question, What is it in our nature that causes us to OTHER our fellow man? Conceived, sculpted, and performed by the artists themselves. Exhibit Tour, followed by a post-performance discussion, moderated by Paula Collins of Work Inc.

On Friday, April. 24 @ 7pm, the Communications Media Department will begin the run of  its Spring theatrical production of  “Cabaret in the City”  in the performance space at the Rollstone Congregational Church 199 Main Street Fitchburg, MA. Admission and refreshments are FREE and open to the public.  “Cabaret in the City”  is a collection of scenes, monologues, dances, and songs about life in the big city. Read more about the production, schedule, and venue here. 

Students in Theater Professor Kelly Morgan's  Acting 1 class rehearse their scenes in Weston Auditorium. 

Students in Theater Professor Kelly Morgan's Voice and Articulation course recite their monologues while sitting back-to-back; their partner relying solely on listening to catch verbal patterns and intonations. Professor Morgan gives feedback during the process. This course concentrates on the elements of vocal production and presentation with special emphasis on the study and application of phonetic theory. 

Theater Professor Kelly Morgan teaches students how to utilize the sword as an extension of the character and a a vehicle by which the actor propels the story in his Stage Movement: Combat in Weston Auditorium. In this particular class, students move from sabre to broad sword. This workshop-oriented course utilizes the basic techniques of movement with emphasis on developing each student's potential for effective physicalization of a character on stage.

Theater Professor Kelly Morgan teaches students how to utilize the sword as an extension of the character and a a vehicle by which the actor propels the story in his
Advanced Stage Movement course in Weston Auditorium. The finger will soon be replaced with a sword, after all, this is day one. This workshop-oriented course utilizes the basis techniques of movement with emphasis on developing each student's potential for effective physicalization of a character on stage.

On Wednesday, Nov. 12 @ 7pm, the Communications Media Department will begin the run of  its Fall theatrical production of  the timely romantic drama, “Stop Kiss” by Diana Son at theTheater for the Performing Arts in the McKay Complex at 67 Rindge Road. Admission is FREE and open to the public. “Stop Kiss” is set in New York City in 1998. Callie is a traffic reporter who has grown tired of New York City. Sara is a fresh face from St. Louis, hoping to make a difference as a school teacher in the Bronx. Both women have boyfriends, but as their friendship develops into something more, they begin to question what they really want in life. Their first kiss provokes a violent attack that transforms their lives in surprising ways. Read more about the production here.

After some warm up exercises, students in Theater Professor Kelly Morgan's Voice II class recite an excerpt in a dialect of their choice and are given feedback. This course expands the fundamentals of Voice I that included breath, diction, relaxation, articulation and resonance. This involves work on verse and lyric vocal education with works of Shakespeare, Restoration, Moliere and The Greeks. Techniques gained from these classical structures are applied to various forms of character voice work, dialect and commercial voice-over techniques.